resonance (2018)


resonance is a motion-controlled mobile kinetic sculpture, spanning roughly 2ft x 1ft. It is made of 5 hanging wedges of laser-cut acrylic, fishing twine, 1 servo motor, an Arduino Uno, and a Kinect 1. Programs used were Adobe Illustrator, Touch Designer by Derivative, and Arduino.


Inspired by the mechanics in Reuben Margolin’s Waves series, resonance uses a simplified version of the sweeping arc motion to create a naturalistic wave. It responds to a viewer’s hand movements. The eponymous theme gives a nod to the butterfly effect: how indirect and/or non-physical action can still largely have an effect. Though the sculpture is suspended out of reach, a swipe of one’s hand can still move it. The sculpture itself is meant to resemble a stylized ripple, a common symbol of resonance. 


Installed April 23, 2018, OCAD University, 205 Richmond

resonance (2018)


resonance is a motion-controlled mobile kinetic sculpture, spanning roughly 2ft x 1ft. It is made of 5 hanging wedges of laser-cut acrylic, fishing twine, 1 servo motor, an Arduino Uno, and a Kinect 1. Programs used were Adobe Illustrator, Touch Designer by Derivative, and Arduino.


Inspired by the mechanics in Reuben Margolin’s Waves series, resonance uses a simplified version of the sweeping arc motion to create a naturalistic wave. It responds to a viewer’s hand movements. The eponymous theme gives a nod to the butterfly effect: how indirect and/or non-physical action can still largely have an effect. Though the sculpture is suspended out of reach, a swipe of one’s hand can still move it. The sculpture itself is meant to resemble a stylized ripple, a common symbol of resonance.


Installed April 23, 2018, OCAD University, 205 Richmond

resonance (2018)


resonance is a motion-controlled mobile kinetic sculpture, spanning roughly 2ft x 1ft. It is made of 5 hanging wedges of laser-cut acrylic, fishing twine, 1 servo motor, an Arduino Uno, and a Kinect 1. Programs used were Adobe Illustrator, Touch Designer by Derivative, and Arduino.


Inspired by the mechanics in Reuben Margolin’s Waves series, resonance uses a simplified version of the sweeping arc motion to create a naturalistic wave. It responds to a viewer’s hand movements. The eponymous theme gives a nod to the butterfly effect: how indirect and/or non-physical action can still largely have an effect. Though the sculpture is suspended out of reach, a swipe of one’s hand can still move it. The sculpture itself is meant to resemble a stylized ripple, a common symbol of resonance.


Installed April 23, 2018, OCAD University, 205 Richmond

B O D Y  G O L D (2017) 

channel 1/2


A multi-channel, interactive dance performance/ installation featuring 2 video works, 1 projected against a wall and 1 projected on the floor directly underneath it, creating a half-cube "dance floor". Following a hoola-hoop dance performance by a single dancer, who's movements correspond to the animation, more people are encouraged to join in. 


BODY GOLD’s rotoscoped animation depicts the body in dance through close-up shots of limbs in motion. It uses colour and space (or lack thereof) to show movement and dynamicness, and above all it aims to get your heart beating and your feet moving. It is all those pop songs in those summer nights when you danced till you forgot your mind and you were just a body moving in space. I want to remind people of that; those simpler times in summer, when nothing else matters. The installation and performance urges people to partake in that; to lose their shoes and get lost in the night (or day).

BODY GOLD is about letting loose and having fun; feeling comfortable in your own body. 

The animation was created by rotoscoping footage from a camera device attached to a hoola-hoop. I choreographed my own routine for the performance. 

Installed October 25, 2017, OCAD University, 100 McCaul. Music used: Body Gold - Oh Wonder.

Photoshop CC, Premier Pro

B O D Y G O L D (2017)

channel 2/2


A multi-channel, interactive dance performance/ installation featuring 2 video works, 1 projected against a wall and 1 projected on the floor directly underneath it, creating a half-cube "dance floor". Following a hoola-hoop dance performance by a single dancer, who's movements correspond to the animation, more people are encouraged to join in.


BODY GOLD’s rotoscoped animation depicts the body in dance through close-up shots of limbs in motion. It uses colour and space (or lack thereof) to show movement and dynamicness, and above all it aims to get your heart beating and your feet moving. It is all those pop songs in those summer nights when you danced till you forgot your mind and you were just a body moving in space. I want to remind people of that; those simpler times in summer, when nothing else matters. The installation and performance urges people to partake in that; to lose their shoes and get lost in the night (or day).
BODY GOLD is about letting loose and having fun; feeling comfortable in your own body.

This animation is a visualization of the audio beats, and the colours match the first channel. 

Installed October 25, 2017, OCAD University, 100 McCaul. Music used: Body Gold - Oh Wonder

Photoshop CC, Premier Pro

B O D Y G O L D (2017)

initial concepts


A multi-channel, interactive dance performance/ installation featuring 2 video works, 1 projected against a wall and 1 projected on the floor directly underneath it, creating a half-cube "dance floor". Following a hoola-hoop dance performance by a single dancer, who's movements correspond to the animation, more people are encouraged to join in.


BODY GOLD’s rotoscoped animation depicts the body in dance through close-up shots of limbs in motion. It uses colour and space (or lack thereof) to show movement and dynamicness, and above all it aims to get your heart beating and your feet moving. It is all those pop songs in those summer nights when you danced till you forgot your mind and you were just a body moving in space. I want to remind people of that; those simpler times in summer, when nothing else matters. The installation and performance urges people to partake in that; to lose their shoes and get lost in the night (or day).
BODY GOLD is about letting loose and having fun; feeling comfortable in your own body.

This animation is a visualization of the audio beats, and the colours match the first channel.

Installed October 25, 2017, OCAD University, 100 McCaul. Music used: Body Gold - Oh Wonder

Photoshop CC, Premier Pro, Paint Tool Sai

U R Not Alone (2018)
installation test 


An interactive audiovisual installation about loneliness, hope, and communication. 


U R Not Alone is installed in a long, narrow room with all the lights off. Ideally, there is only one doorway, the room echoes, and the cracks in the door are stuffed to create maximum darkness. At the far end of the room, a single white LED is set up above or at eye-level on an unassuming plinth. Once triggered by sound, the LED cycles through a message written in Morse code, “QRK5”, blinking one letter in response each time. This old pilot’s code means: “I am receiving [your signal] clearly”.


Celestial White Noise’ by Cat Trumpet loops from a hidden speaker to build ambiance.


Installed on February 7, 2018 at OCAD University, 100 McCaul. 


Arduino Uno, Sound Sensor (PROMC-221010), 1 White LED, sound system, misc. building materials, misc. technical components. 

ABSTRACT

The blinking light in the distance is a well-used trope in many media, such as Panic! At the Disco’s song “Always”, where the lover croons “...blink back at me to let me know”; podcast Welcome to Night Vale’s many references to the mysterious blinking lights on the mountains that do not exist; and the Star Wars: A New Hope scene in which C-3PO sights the transport. It’s the forefather of the “light at the end of the tunnel” trope and even has a place in many mythologies, as guiding Will-o-Wisps or Hero’s lantern in the romantic Greek tragedy. With the sighting of the blinking light comes a wide variety of different emotions and reactions in all its iterations, but one thing remains the same: it carries the possibility that someone is somewhere, out there, and you may not be alone after all.


U R Not Alone is an interactive installation centered around the emotion of loneliness and the human reaction to it. Meant to be presented without instruction, it strands an unsuspecting audience in a seemingly empty dark room, intended to induce feelings of helplessness, confusion, and loneliness. However, once the viewer makes a sound—either by calling out, or stepping loudly—they’ll notice a light blink back at them, however briefly. By repeatedly calling out at the light—and having it respond back, if only through blinks—they start to feel calmer, a little hope.


It’s still dark in the room. But there’s a light out there, somewhere.

U R Not Alone (2018)

build 


An interactive audiovisual installation about loneliness, hope, and communication.

U R Not Alone is installed in a long, narrow room with all the lights off. Ideally, there is only one doorway, the room echoes, and the cracks in the door are stuffed to create maximum darkness. At the far end of the room, a single white LED is set up above or at eye-level on an unassuming plinth. Once triggered by sound, the LED cycles through a message written in Morse code, “QRK5”, blinking one letter in response each time. This old pilot’s code means: “I am receiving [your signal] clearly”.


‘Celestial White Noise’ by Cat Trumpet loops from a hidden speaker to build ambiance.


Installed on February 7, 2018 at OCAD University, 100 McCaul.


Arduino Uno, Sound Sensor (PROMC-221010), 1 White LED, sound system, misc. building materials, misc. technical components. 

Virtual Indie Scratch Board (2018) 


Collaborative project with Madeline Fischer, Ola Soszynski, Sammy Sylvester


Inspired by indie music line-art covers, we created a mobile audio-based installation. Particles on the screen, resting behind the rainbow line art of the front camera input, would pulse in response to the beat of the detected audio. Designed to be used on a mobile device, this creates a dynamic selfie video experience while jamming out to indie music--think music festival videos. In an installation setting, music is blasted while passer-bys lean into the camera screen. 


My role was mainly the programming and visual development, though our approach was fairly synergistic in that we all contributed to the final outcome. 


Installed on Feb 26th at OCAD University, 205 Richmond. Song used: I'm Good - The Mowgli's


Touch Designer

Using Format